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9"x12" acetate film, silk, metal, thread on linen mounted on wood panel.
Collage work based on my own photography, drawing, found ephemera and mono prints.
8” x 10” Discarded plywood, photo on tissue, collage, charcoal, conte crayon house paint
8” x 10” Discarded plywood, photo on tissue, collage, charcoal, conte crayon house paint
Photo, paint on wood 12”x12”
8”x 10” Discarded plywood, house paint, collage, conte crayon
8”x 10” Discarded plywood, house paint, collage, conte crayon
12” x 12” paper, ink, paint, photo on canvas
10” x 9” Photo, thread, ink & paper
Monoprint Collage 8”x 10” unframed
Photo on silk, mono print, graphite on discarded book cover
Collage on paper
Photo, mixed water media on paper
Vent grate, old circular saw blade and metal ring.
With things ancient, rusty, worn and imperfect I imagine the stories and histories objects might have had before I find them. It is often the texture of something that first catches my eye, then the patina, color, or shape. I see beauty in an old workbench, a threadbare faded piece of fabric or a rusted piece of metal. Using reclaimed objects in my work takes many forms including collage, assemblage, and handmade books. My tools are camera, paint, brushes, pencils, paper, fabric, needle and thread, hammer and drill. I look to create small moments and memories that highlight new ways of seeing and allow the viewer to create their own stories of the objects assembled.
Driftwood, wire, plastic, olive leaves, shell and sea glass
Tribute to Eddie Aikau
Driftwood from Santa Cruz Main Beach, reclaimed wood, leather wax and paper
NFS
2022 Used home vent, old circular saw and metal ring
Metal, clay, glass & wood
2023 Discarded plywood, scrap solder, metal, plastic beads
Metal, driftwood, found beads, paper/fabric
An NPR podcast about the acidification of the oceans and its effect on oyster habitats prompted this series of drawing/collages. The health of oysters is clearly related to clean healthy tidal waters. Oysters, mollusks and sea grasses that make up numerous tidal regions are the harbinger of health for our oceans and planet. The growing acidification of coastal waters from human impact impedes the process of calcification as related to the growth of an oyster’s shell. Unlike the Pacific plastic gyre or trash on our beaches, acidification is not something most of us can easily see.
The acidification of ocean water is the absorption of CO2 by H2O. “Ocean acidification represents a direct chemical change to global ocean chemistry in response to rising levels of atmospheric carbon dioxide (CO2)”. climateinterpreter.org
CO2 + H2O -> (H+) + (HCO3-)
It has been found that sea grasses hold some hope to counteract acidification in the water as well as creating general healthy environments for many tidal creatures and helping to maintain lowland barriers to flooding.
The concept for these drawings began to take shape on a two page satellite photo spread of the Louisiana coast for a New York Times story entitled the Drowning Coast, about the sinking Louisiana coastal region. I was struck by the beauty of the satellite photo on newsprint and felt a connection between the coastal habitats of Louisiana and what I had recently learned about acidification of ocean water, it’s affects on oyster habitats and communities of people that make their life connected to the marine environment. The Drowning Coast isn’t just Louisiana, it’s also California, the Pacific Northwest, the Chesapeake Bay, Manhattan, Long Beach Island NJ and coastal communities world wide.
Further reading and listening:
NPR podcast: “Can Seagrass Save Shellfish from Climate Change” KQED The Salt That’s on Your Table January 30th,2018
New York Times: Feb 24, 2018 - The Drowning Coast. This three-part special report about the ecological crisis facing Louisiana's vanishing coast, and the people who live there.
...https://www.nytimes.com/interactive/2018/02/24/us/jean-lafitte-floodwaters.html
Charcoal, conti crayon on newsprint 10” x 15” mounted on board
Drawing on book cover & collage. 11”x14” Tribute to the seagrasses that counter act the absorbtion of CO2 in the water.
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Newsprint, charcoal, gouche, conte crayon 12” x 15” mounted on board
Charcoal and acrylic paint on newsprint 12”x20” unframed